PETER DAVIDSON

"...Paradoxically, Davidson's still lives also refer to memory. In fact they are a Proustian experiment , means to open up the floodgates of past experience, homes for endless recollection. Like Cezanne, he uses artificial fruit and flowers in his set ups in order to have enough time to achieve a precise account. Nonetheless this entirely artificial process leads to works which stand very close to the real...."
- David Bromfield, 'At a Distance' catalogue essay, 2008.


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